The DC heat must be softening my typically judicious taste. Lots of good things this week, and not a lot of bad. So I've got six in a grabbag for you, but they're mostly up. I'll be back to cranky form next week.
Big Ups
1. Raekwon the Chef, "The New Wu" / Cuban Linx II- Almost two years ago, I stood in the crowd of the Virgin Music Festival at Pimlico race track in Baltimore, watching Wu-Tang Clan absolutely tear down the house. That day, RZA wore a shirt advertising the long-awaited and highly anticipated Raekwon solo album, Only Built for Cuban Linx II. For those not in the know, the original Cuban Linx (1994) was one of the original Wu-Tang solo albums that fortified the Wu empire via a series of groundbreaking platinum albums/satellite republics to include GZA’s Liquid Swords and Method Man’s Tical. Since then, Raekwon albums have come an gone, but when word leaked that Raekwon was harkening back to the spirit of Cuban Linx, heads flipped. Furthermore, early rumors swirled that production of the album would be split between Dr. Dre and RZA. Are you kidding me?
Only problem: two years have passed since RZA promised the crowd at Pimlico a November 2007 release, and we’ve got nothing.
That might be about to change. Raekwon’s Myspace page heralds an August 11th release date—“Witness the Rebirth.”
Me? I’ll believe it when I see it. But in the meantime, we skeptics can bite our tongues and feast on the new Raekwon single, “The New Wu” featuring Method and Ghostface. It's listed as "WU Ooh" on the Myspace playlist, but check the Itunes Link. Like RZA’s 08 single, "You Can't Stop Me Now," it’s smooth, soulful, and ultra-refined. These guys are masters of the hip hop craft. Everything points to rebirth. This could be huge. So huge.
2. Z-Trip at Movement/Paxahau- Was reading up on Summer festivals and came across some press on the Detroit electronic music festival Movement, put on by Paxahau Events. Not exactly my scene, but I have spent some time in the dance tent in my day, and I find the Detroit music scene pretty awesome. For a city widely considered to be down on its luck, it seems to have a massive wellspring of creative energy, not unlike what you find in Baltimore. This article on Z-Trip’s Detroit-flavored mash-up set was especially dig-inspiring. I couldn’t find the audio for it, but I’ve added his “Motown Breakdown” to my mixtape below, an it should give you some of that Detroit flavor. Girl Talk fans take heed.
3. THE BEASTIE BOYS NEW ALBUM IS GOING TO BE CALLED HOT SAUCE COMMITTEE.
3a. Their "impromptu" performance with the Roots on Jimmy Fallon was excellent. Mike D looks so fly. Shout out to And-Rock for the heads-up!
More Big Ups
4. Weezer and Blink 182 on tour -The Summer tour bill to end all Summer tour bills? I'll be there, potentially incognito. And while we're at it...
4a. Weezer Snuggies- "It's a totally legit Snuggie."
5. Email from someone I trust-
Subject: oh my goodness
new grizzly bear album is absolutely incredible
check it here.
Big Down
1. Jay-Z and Def Jam
Jay-Z splits but still owes them an album. Will he record? Do I care? The most interesting thing about Jay-Z at this point is whether he'll be able to fulfill the absurd terms of the contract he signed with Live Nation last year, before Live Nation goes the way of pets.com. Plus, didn't he retire?
Maybe Hov should take a cue from Beastie Boys' Mike D, who levied a nice shot at Def Jam on 2007's To the Five Buroughs: "I see that Def Jam doesn't recognize me/ I'm Mike D: the one that put the satin in your panties."
Thursday, May 28, 2009
Thursday, May 21, 2009
Up/Down: Blame it on the Videos
I'm turning last week's up-or-down referendum into a weekly feature on my latest loves and hates. And as promised, no more self-justifying diatribes. This week I've got some music videos for you. The slow transmutation of the music video over the past 15 years has been absolutely fascinating, and at the same time depressing. On the one hand, few are made and now they mostly suck; on the other, MTV has made up for this by making it possible to watch whatever music video you want, whenever...and embed it in my blog (I love you MTV!)...with an obligatory 15 second commercial (I hate you MTV!). It's an unhealthy relationship, me and the MTV.
Big Ups
1. "Blame It"- Jamie Foxx feat. T-Pain: Jamie Foxx's music career has been one long "is he serious?" awkward moment. This song is an excellent balance of the humor and the R&B, umm, talent. "Fill another cup up/feelin' on your butt, what"...I mean, that's a joke, right? Got to be. I get it.
2. "Magnificent"-U2: Someone pointed out to me recently that no U2 member has ever released a solo album, and that this commitment to the core band is what has kept them around. Hard to argue with that, especially watching this latest video. Nothing groundbreaking, but the music is solid, the sound is good, and the shots of the band playing together are a simple way of conveying that power. Also, there's the sheets.
3. "Love Sex Magic"-Ciara feat. Justin Timberlake: As long as Ciara keeps making music and videos like this, I can do without Beyonce. Sexy, sexy song. Video speaks for itself.
Big Downs
1. "Sugar" - Flo Rida: there was a time when Hip-Hop was music's most innovative genre, in no small part because it's protagonists are by nature aggressively competitive (As Boogie Down Productions told it in 1988, the point of rapping is to be #1--it's a battle). If you stole someone else's style--or didn't have your own--you simply wouldn't survive. Unfortunately The borrowing, theft, and outright lack of creativity in rap today says alot about what's happened as a result of the "mainstreaming" of hip hop. Case in point: Flo Rida taking the "remix-a-slightly-obscure-song-that-people-will-drunkenly-recognize-on the-dancefloor-and-rap-blandly-over-that" model to unforeseen lows with a sample from Eiffel 65's willfully forgotten techno hit "Blue." When will it stop? He even butchers the sample...how is that possible?!?!? Hopefully this is what jumping the shark looks like.
2. "Know Your Enemy"- Greenday: Anyone else find it weird that Greenday "discovered their punk roots" and got political right when it paid to be lefty? Go back to Dookie.
3. "I Never Knew You"-Cage: Shia Labouf directed this. Strike 8. Emo+rap=extra big downs.
Big Ups
1. "Blame It"- Jamie Foxx feat. T-Pain: Jamie Foxx's music career has been one long "is he serious?" awkward moment. This song is an excellent balance of the humor and the R&B, umm, talent. "Fill another cup up/feelin' on your butt, what"...I mean, that's a joke, right? Got to be. I get it.
2. "Magnificent"-U2: Someone pointed out to me recently that no U2 member has ever released a solo album, and that this commitment to the core band is what has kept them around. Hard to argue with that, especially watching this latest video. Nothing groundbreaking, but the music is solid, the sound is good, and the shots of the band playing together are a simple way of conveying that power. Also, there's the sheets.
3. "Love Sex Magic"-Ciara feat. Justin Timberlake: As long as Ciara keeps making music and videos like this, I can do without Beyonce. Sexy, sexy song. Video speaks for itself.
Big Downs
1. "Sugar" - Flo Rida: there was a time when Hip-Hop was music's most innovative genre, in no small part because it's protagonists are by nature aggressively competitive (As Boogie Down Productions told it in 1988, the point of rapping is to be #1--it's a battle). If you stole someone else's style--or didn't have your own--you simply wouldn't survive. Unfortunately The borrowing, theft, and outright lack of creativity in rap today says alot about what's happened as a result of the "mainstreaming" of hip hop. Case in point: Flo Rida taking the "remix-a-slightly-obscure-song-that-people-will-drunkenly-recognize-on the-dancefloor-and-rap-blandly-over-that" model to unforeseen lows with a sample from Eiffel 65's willfully forgotten techno hit "Blue." When will it stop? He even butchers the sample...how is that possible?!?!? Hopefully this is what jumping the shark looks like.
2. "Know Your Enemy"- Greenday: Anyone else find it weird that Greenday "discovered their punk roots" and got political right when it paid to be lefty? Go back to Dookie.
3. "I Never Knew You"-Cage: Shia Labouf directed this. Strike 8. Emo+rap=extra big downs.
Sunday, May 10, 2009
Up/Down: Shiny and New
When I unveiled Silversoundz last year, I led with a poetic waxing in defense of music writing that was not fixated on novelty--on being the first to go on record with an opinion on new song X or album Y. It sounded like a crotchety attempt at high-mindedness, but it was also founded in practicality. With the multiplication of music media, and the ease and speed of production, it's inherently futile to try and stay on top of everything at once. Let's face it: for most, the internet has become THE portal for accessing new, if not all, music. Yet the internet has also screwed with our decision making as music consumers by making it easier to publish and access opinions...not necessarily to form them.
As we try desperately to keep up with the volume of music available, we devour more and digest less. Meanwhile, every download comes with stigma--be it an offhand review, blog comments, even the street cred of the site you're pulling music from. These are new shades of old problems, of course. But instead of reviews in a limited number of music mags, what we heard on the radio or from friends, now we have about 5,000 inputs to consider. Not to mention bands' increased ability to promote themselves.
I'm not complaining. After all, you're reading this, right? But what concerns me about the music/information overload is the way we play it off as if the mere access to it is enough to make us, for lack of a better word, cool. The internet tempts us to think less about why we like certain music, and trades us unlimited access to affirmation by knowing what virtually everyone else is listening to. In my view, this has led to a really bizarre set of collective tastes and music fads over the past few years. Not all bad, of course, but bizarre in the sense that for about 4 years running, I can't remember the last time I listened to what was generally considered good music, and thought to myself without any irony: "this is clearly good music." I think we may look back on this period as the digital music equivalent of the early 1970's. We never quite recovered from the free-love days of Napster, but until some of the looming questions about the music industry vs. digital distro get figured out, we are simply saturated in music. We will look back and applaud ourselves for the Led Zeppelins of our times, laugh about the Supertramps, and cry about our version of disco (I'll leave the analogies to you). Put simply, distinguishing the good from the bad has gotten hard.
Of course, we try. What's new is fresh and what's fresh is powerful, and what's powerful bears mentioning. So here's my contribution to the heaping pile of new music opinion.
Big Ups
1. Phoenix- Wolfgang Amadeus Phoenix/"1901". This album, due out on the 26th (already leaked on the interweb), has one of the coolest fucking names in recent memory. "1901" is one of the catchiest fucking songs in recent memory. I'm all over this.
2. Iran- Dissolver. I'm not a big TV on the Radio fan, so the hubbub over this band featuring Kyp Malone on guitar nearly deterred me from buying Dissolver. But I went for it and was pleased to find the songwriting of lead singer Aaron Aites is far less consciously serious (but not any less dark) than TVoTR. Most importantly, Iran can rock. AND THEN I find out they're touring with destroyer this Summer? Dig!!!
3. Kidz in the Hall- "I Got it Made 09 (Reebok Classic)". Can you say "summer anthem"? Love the beat, love the flow, love the video, love the vibe, love that they're one letter away from a Canadian Comedy troupe. If anyone knows why I can't download this on Itunes, please explain it to me.
Big Downs
1. Dinosaur Jr.- "I Want you to Know". Not necessarily the song. The song is fine, I guess. But see this pitchfork review for an illustration of my moral dilemma above. "...Even at their most triumphant, Dinosaur Jr. come off as shy and introspective; when Mascis usually lets fly with another rebar-melting guitar solo, it's like an overcompensating apology for his lyrical and vocal sad-sackery." Come on, it's Dinosaur Jr. Isn't it the whole point to say less?
2. Ween- Quebec. I know, it's not new. But I finally got around to buying this 2003 album and resuming my fascination with Ween last week. It's disappointing. Gene & Dean do all the old Ween things, but it's just not doing it for me. This could potentially change based on how many times I listen to the song "Zoloft" so stay tuned.
3. Asher Roth- Despicable. This guy makes Snow look like Talib Kweli. If I read one more magazine article in which this guy advertises his own rap credentials, mark my words I will barf all over the magazine, right there in the store. #1 sign that you don't deserve street cred? Repeated reminders that you want it.
Tell me yours! No more diatribes next time!!!
As we try desperately to keep up with the volume of music available, we devour more and digest less. Meanwhile, every download comes with stigma--be it an offhand review, blog comments, even the street cred of the site you're pulling music from. These are new shades of old problems, of course. But instead of reviews in a limited number of music mags, what we heard on the radio or from friends, now we have about 5,000 inputs to consider. Not to mention bands' increased ability to promote themselves.
I'm not complaining. After all, you're reading this, right? But what concerns me about the music/information overload is the way we play it off as if the mere access to it is enough to make us, for lack of a better word, cool. The internet tempts us to think less about why we like certain music, and trades us unlimited access to affirmation by knowing what virtually everyone else is listening to. In my view, this has led to a really bizarre set of collective tastes and music fads over the past few years. Not all bad, of course, but bizarre in the sense that for about 4 years running, I can't remember the last time I listened to what was generally considered good music, and thought to myself without any irony: "this is clearly good music." I think we may look back on this period as the digital music equivalent of the early 1970's. We never quite recovered from the free-love days of Napster, but until some of the looming questions about the music industry vs. digital distro get figured out, we are simply saturated in music. We will look back and applaud ourselves for the Led Zeppelins of our times, laugh about the Supertramps, and cry about our version of disco (I'll leave the analogies to you). Put simply, distinguishing the good from the bad has gotten hard.
Of course, we try. What's new is fresh and what's fresh is powerful, and what's powerful bears mentioning. So here's my contribution to the heaping pile of new music opinion.
Big Ups
1. Phoenix- Wolfgang Amadeus Phoenix/"1901". This album, due out on the 26th (already leaked on the interweb), has one of the coolest fucking names in recent memory. "1901" is one of the catchiest fucking songs in recent memory. I'm all over this.
2. Iran- Dissolver. I'm not a big TV on the Radio fan, so the hubbub over this band featuring Kyp Malone on guitar nearly deterred me from buying Dissolver. But I went for it and was pleased to find the songwriting of lead singer Aaron Aites is far less consciously serious (but not any less dark) than TVoTR. Most importantly, Iran can rock. AND THEN I find out they're touring with destroyer this Summer? Dig!!!
3. Kidz in the Hall- "I Got it Made 09 (Reebok Classic)". Can you say "summer anthem"? Love the beat, love the flow, love the video, love the vibe, love that they're one letter away from a Canadian Comedy troupe. If anyone knows why I can't download this on Itunes, please explain it to me.
Big Downs
1. Dinosaur Jr.- "I Want you to Know". Not necessarily the song. The song is fine, I guess. But see this pitchfork review for an illustration of my moral dilemma above. "...Even at their most triumphant, Dinosaur Jr. come off as shy and introspective; when Mascis usually lets fly with another rebar-melting guitar solo, it's like an overcompensating apology for his lyrical and vocal sad-sackery." Come on, it's Dinosaur Jr. Isn't it the whole point to say less?
2. Ween- Quebec. I know, it's not new. But I finally got around to buying this 2003 album and resuming my fascination with Ween last week. It's disappointing. Gene & Dean do all the old Ween things, but it's just not doing it for me. This could potentially change based on how many times I listen to the song "Zoloft" so stay tuned.
3. Asher Roth- Despicable. This guy makes Snow look like Talib Kweli. If I read one more magazine article in which this guy advertises his own rap credentials, mark my words I will barf all over the magazine, right there in the store. #1 sign that you don't deserve street cred? Repeated reminders that you want it.
Tell me yours! No more diatribes next time!!!
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